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OPINION | OCTOBER 26, 2005

I Want My Mummy
Villians were better back in the old days

The Shorthorn: Brandon Leirer

Aside from candy and costumes, Halloween has one more awesome aspect going for it: scary movies! Now horror movies can be seen year round, but the holiday serves as the bastion of scary movie viewing.

The only other date that can rival Halloween for this honor is Friday the 13th. I personally prefer Halloween for my scary movie viewing since, by the time I’ve finished eluding the authorities with my loot of candy, it has gotten pretty dark out. I guess it’s sheer irony that Friday the 13th movies are infinitely better than “Halloween” movies. I enjoy scary movies since they don’t follow traditional rules of Hollywood productions. They are unpredictable, and that’s what’s scary.

Vampires always seem to be the popular scary movie villains, but they’ve changed in recent years. They used to be creepy, yet charming characters that lived in old European castles. Now they just seem to permeate the goth scene, inspiring all goth kids who try really hard not to care about anything. They’ve also lost their supernatural roots, reducing vampirism to a disease. While it’s certainly the most attractive disease out there, when you explain it that way, it just sucks all the fun out of it — pun unintended. Still, when it comes to being a vampire, it’s not so much the drinking of blood for sustenance or hiding from the sunlight that would bother me most. I’d say the worst part would be becoming a pansy goth in the process.

Zombies have seen a lot of press lately. They are always my favorite. Call me old-fashioned, but I like my zombies slow and undead as in the original version of Night, Dawn, Day and Land of the Dead, opposed to those newfangled running and diseased variants you see in movies like Resident Evil and 28 Days Later.

Zombies are supposed to be dead, slow and numerous. I don’t like all these new zombies learning how to shoot guns and hunting particular people. When was the last time you saw them lumbering for plain old brains? Enough of this reinventing the zombie, just give me the George Romero classic version.

The mummy is a character that has taken a beating. The recent mummy movies seem to be “family-friendly,” where no one you care about will get hurt in any way. That’s more like fantasy than horror. The mummy is a great premise for a horror movie; it has all that mummy gold to go after. It makes more sense than the Friday the 13th movies, where you’d think after the fifth time Jason Voorhees or his mother slaughtered all the teens at Camp Crystal Lake, people would stop sending their kids there. While in reality the mummy is only a threat to Egyptologists and 1950s comedy duos, it does play on some of our most basic fears: death and old people. In fact, art imitates life pretty accurately through mummies. You’ve got to put up with some old person, usually a relative, for a while and jump through all their hoops until you finally get their money/gold after they’re gone. Instead of being cursed, you just feel guilty. Why do you think they named this monster mummy — pun intended? Coincidence? I think not.

Also hoarding some gold is the leprechaun. This is a good example of fantasy moving into horror. Instead of dealing with the elderly like the mummy, here you have to fend off a little Irish person who speaks only in whimsical rhymes. Also, he stabs people. I think I’d rather put up with the leprechaun over the mummy. The problem I have with the leprechaun is that out of his six movies, two of them have the subtitle “In the Hood” and another has the subtitle “In Space.” I always thought movies like The Wizard of Oz and Willy Wonka and the Chocolate Factory exploited our little people, but the leprechaun movies just take the cake.

For a good night of horror movies this year, just go for pretty much any B-movie flick or lower. Those have more graphic stuff you want to see in scary films. Anything that you can measure with buckets of blood is definitely worth your time.

— Josh Morris is a marketing sophomore and The Shorthorn staff columnist

Josh Morris


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